By 2025, cinematic enthusiasts can expect an explosion of fresh installments in numerous beloved film franchises, following a relatively subdued 2024. The forthcoming Jurassic World: Rebirth is poised to dominate “most anticipated blockbusters” lists this year, despite the underwhelming reception of 2022’s Dominion, which left fans roaring for more. One potential secret weapon for the new film could be the return of screenwriter David Koepp, who co-wrote the original Jurassic Park and The Lost World, bringing his expertise to the seventh installment’s storytelling approach.
Gareth Edwards, helmer of Godzilla and Rogue One: A Star Wars Story, has shared glimpses into his on-location filming approach and introduced a fresh cast of characters. Meanwhile, screenwriter Koepp, who originally helped shape this world in the 1990s, is thrilled to revisit and tackle the new challenges that come with revisiting a familiar universe. If his sincerity is genuine, it appears that Rebirth represents a fundamental return, yet one that thoughtfully incorporates advancements from the previous three Jurassic World movies.
Writing the scripts for those initial two films was truly some of the most enjoyable and fulfilling work I’d done up until that moment? For me, the combination of grand adventure and rigorous scientific inquiry is a perfect blend that really resonates with my interests. He recently told TheWrap that resolving on a fresh tone was enjoyable because every third film presents an opportunity to shift tone and characters in a franchise. Regardless of personal opinions, the Jurassic World trilogy has successfully revitalized the franchise across film, television, and gaming platforms, with each installment exceeding a global box office haul of over $1 billion, making it inevitable that another entry will emerge sooner rather than later.
As Colin Trevorrow concluded his three-film narrative arc and successfully launched the animated series Camp Cretaceous, the Jurassic franchise embarked on a new journey under the guidance of visionary director Steven Spielberg, who entrusted Chris Koepp to spearhead this fresh chapter that harmoniously blends modernity with the legacy established by Trevorrow and his team.
According to Koepp, he rapidly developed a set of “nine commandments”, inspired by Chuck Jones’ rules for the Looney Tunes cartoons, to ensure that his ideas remained focused and easy to follow throughout the creative process? At the forefront of these revelations is the incontestable truth that the events of the initial six films remain irreproachable, thereby dispelling any outlandish fan conjectures.
As we revisit the world of Dominion, it becomes clear that the narrative actually begins just a few years prior, when dinosaurs and other prehistoric species began to gradually return to the tropics, having failed to thrive in various climates and environments. The expedition follows a team of scientists and skilled researchers, venturing onto a remote island to collect biological samples from various animal species; their discoveries could lead to the development of groundbreaking medicines and treatments that transform human health outcomes. While some argue that capitalism’s inherent flaws will inevitably lead to chaos, others contend that a well-regulated system can mitigate these risks and foster prosperity. That and overly hungry dinos.
Koepp emphasizes that the workforce aimed to capture the essence of the original film’s tone, pursuing a low-stress atmosphere, despite Common’s potential dismay at the idea. This approach ensures the sequel will maintain its family-friendly nature while possibly regaining some of the “chew” missing from the disappointing sixth installment.
The ensemble cast boasts Scarlett Johansson, Jonathan Bailey, and Academy Award-winner Mahershala Ali at its helm. The eagerly awaited primary trailer is expected to debut during next month’s Super Bowl or possibly even sooner if we’re lucky.
